Where No One Stands Alone celebrates the power and passion of Elvis Presley’s gospel recordings. Produced by Joel Weinshanker, Lisa Marie Presley and Andy Childs, Where No One Stands Alone introduces newly-recorded instrumentation, rare alternate lead vocals from Elvis and backing vocal contributions from music legends who'd performed on-stage and/or in-the-studio with Elvis such as, Darlene Love; Cissy Houston; Terry Blackwood, Armond Morales and Jim Murray of The Imperials; and Bill Baize, Ed Hill and Larry Strickland of The Stamps Quartet. Hundreds of hours of went into the transferring, upgrading, and enhancing of the original multi track vocals resulting in the richest, most vibrant Elvis vocals on these tracks that have ever been released.
The album also includes a reimagined duet with Elvis and his daughter, Lisa Marie Presley, on the album’s title track and spiritual touchstone.
Where No One Stands Alone provides new musical perspectives on 14 of the singer's favorite pieces of gospel music, from the reverential to the celebratory, with song selections including Presley's beloved enduring gospel classics (the 1965 Top 5 smash "Crying In The Chapel," "How Great Thou Art," "You'll Never Walk Alone"), praise-filled gospel-rockers (Jerry Lieber and Mike Stoller's "Saved") and traditional hymns and spirituals ("So High," "Stand By Me," "In The Garden," "Amazing Grace").
“Since I was two years old,” Elvis Presley once said, “all I knew was gospel music. It became such a part of my life, it was as natural as dancing. A way to escape my problems, and my way of release.” It was Elvis' explosive mix of styles--blues, bluegrass, country, swing, pop--that generated his iconic world-changing rock n' roll, but it was the hymns, spirituals and church music of his childhood, the deep-seated gospel roots that sustained Elvis and his musical vision throughout his life.
"This was his favorite genre – no question about it," says Lisa Marie in her album notes. "He seemed to be at his most passionate, and at peace while singing gospel. He would truly come alive – whether he was singing just for himself and me at home, or on stage in front of thousands of fans."